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After a death at the White Camellia Orphanage, young Pip Tatnall leaves Lexsy, Georgia to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America.

Going Farther into the Woods than the Woods Go opens with the poet speaking from an interior landscape in which life is going too fast and he is lonely and isolated from himself and others. Life is brutal, and the speaker finds himself constantly questioning his self-worth, yet in a surrealistic, witty fashion perhaps best described as black humor.

Winner of the 2011 Adrienne Bond Award for Poetry The House Began to Pitch is a collection of poems that begins by following the lives of a man and a woman who grow up in the rural South in the fifties and sixties. Many of the poems are told through the lens of fairy tales as a comment on archetypal constructs that make up our ideals of home and family.

Winner of the 2011 Ferrol Sams Award for Fiction Travel to Sequoyah, Georgia, to meet Early and Ivey Willingham. Early is a lifelong underachiever who occasionally smokes marijuana, drinks malt liquor, and watches the world go by. Ivey is a modern day prophet who sees dead relatives and angels in her sleep. Together they own Camp Redemption, a failing Bible camp in the North Georgia mountains.

After tragedy at the White Camellia Orphanage, young Pip Tatnall leaves Lexsy, Georgia, to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes.

Swift Hour opens with an epigraph from a Leonard Cohen song, “I hope you’re keeping some kind of record.” Like Cohen, Sexton is looking for the crack in everything that lets the light in, but even more urgent is the recording of these moments. Life is quickly passing, but along the way, relics are harvested for safekeeping. Her work reminds us how in some ways myth and knowledge itself help us to navigate through the shadows toward the light.

HALF OF WHAT I SAY IS MEANINGLESS is a series of memoirs, set by turns in Joseph Bathanti’s hometown of Pittsburgh as well as in his ultimate home in North Carolina where he landed in 1976 as a VISTA Volunteer assigned to the North Carolina Department of Correction. Though these essays are not queued chronologically, they form a seamless chronicle of contemplation on the indelible stamp of home, family, ancestry, and spirituality, regardless of locale.

For five heart-churning days, the world turns its attention to tiny Pridemore, Missouri, where rescue teams work around the clock to free a mentally challenged man from a collapsed cave. That’s how Mayor Roe Tolliver envisions it, anyway. Weary of watching the town he’s led for more than forty years slide into economic oblivion, the mayor hatches a devious and dangerous plan. Get ready for a fast-paced romp filled with quirky characters, hilarious twists and turns, and a small town that just might get its fifteen minutes of fame.

Moving and filled with unexpected ideas and imagery, The Color of All Things is a love letter from one man to one woman, but it offers love from each of us to all of us. Brimming with a touching and generous joy, this is a book of everyday needs that can only be filled with a genuine and lasting love. This is the third volume of poetry from Philip Lee Williams, following on his Elegies for the Water and his national book of the year (Books and Culture magazine) The Flower Seeker: An Epic Poem of William Bartram. Like his other volumes of poetry, The Color of All Things moves slowly through the natural world without sentimentality but with surefooted grace and lovely rhythms. Georgia poet laureate Judson Mitcham says that in Williams’s poetry we hear “the distinctive voice of a poet who knows how to tell the stories that matter, how to hold still and take a good look at the natural world and let himself be filled with praise, a poet who knows how to find the right prayer and how to pray it.”

Good ole boy Dickie Frye vanishes from the Georgia hills and the urbane Fletcher Carlyle bursts onto the New York publishing scene, winning the Nobel Prize for literature. But when a psychotic rampage lands Carlyle in Weatherhaven, eminent psychologist Anton Kohl finds himself talking to Dickie Frye. Kohl’s instincts tell him Frye is not lying—but what he says can’t possibly be true. A fallen priest comes out of Sumerian mythology, the love of Kohl’s life comes out of his past, and a chicken comes out of a posh apartment on Central Park West to meet his fate. Anton Kohl’s carefully constructed world is about to be deconstructed.One part fable and one part Southern yarn, Kiss of the Jewel Bird soars from ancient Mesopotamia to modern-day Manhattan, rewriting history and opening a window onto a wider, more magical world, where the path to destiny is anything but straight.

Bill Merritt grew up in Atlanta, Georgia during the turbulent years between the end of World War II and the Vietnam War. A joyously unreconstructed Southerner, he looks on with amazement as Atlanta changes from a sleepy Southern town into the City Too Busy to Hate. This was the time of Martin Luther King and Ivan Allen, but also the time of Lester Maddox, the Temple Bombing, great moral certainties, Elvis, Klan rallies, the Cuban Missile Crisis, a corrupt political system keeping some of America’s finest statesmen in office (some since the Teddy Roosevelt administration), and a man named Armstrong walking on the moon. Merritt’s family is eccentric and colorful, occasionally courageous, often self-centered. This is the story of the way the Civil Rights Revolution looked to Southerners: to decent people trying to honor their heritage while realizing the time had come to let go of parts of that heritage, and how difficult that letting go was made by the outsiders who most wanted change. This is the story the way Southerners remember it—and tell each other.

Margaret Norman lives in a family with secrets, not the least of which is her own. But what concerns Margaret more is that her family will not talk about her mother, “Weezie,” an artist who died shortly after Margaret was born. Her father, Jim Norman, a brooding attorney, is too obsessed with his own pain to share. Louisa, her older sister, is hostile toward Margaret and ignores her. Black housekeeper, Ida, who is helping to raise Margaret, does not think it her place to tell what others will not. And gentle great aunt, Maggie, did not know Margaret’s mother. Set in the South during the 1930s and 1940s, CARDINAL HILL takes place in a world where blacks and whites, although separated by custom and law, often thrive in personal relationships; where half a world away, a war disrupts lives of those close to home; and where little girls suspect that kissing causes babies.